Laughing City
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beachfuzz
Sea Post King


I think it would be awesome if eisley worked with Mike Mogis.
I like all of their songs, however, I think those recorded with Mike Mogis were the best recordings.

Agree? Disagree? No opinion?

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theenvycorps
Vintage Newbie


I actually think the Aaron Sprinkle track was the best. The drum sounds were amazing! My favorite drum sounds since Interpol's lp.
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PoorWriter
Lost at Forum


I'd have to say Aaron also.
And apart from the sounds — which came out great — he also got something out of them vocally that no one else has. I wanna saw maturity, but that doens't quite describe it.
He said that when he produces, he tries for a really relaxed, comfortable environment. Maybe that was part of it.

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theenvycorps
Vintage Newbie


I want to work with Aaron very badly. He and Jon Brion are my favorite producers out there today.

Oh, and Nigel, too.
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PolyphonicDave
Sea Post King


aaron definately... im excited about his own album coming out this year. he gave eisley such a slick sound...
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TheAntrider
Protocol Droid


I like Marvelous Things production wise. I love guitar buzz, but the drums were far too weak on Laughing City, for example. Weston shakes the room, and the drums sound soft on Laughing City.
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boyd
Eisleyoid


Aaron is absolutely the man. No worries. Aaron will be involved long
term, I believe.

Rob's work with Elliot Smith is respected in the industry as legendary.
You have to look at the band really carefully to find the best match for a
producer. Eisley has an indie sound but needs a little more finesse and
careful attention to tone than *Mike Mogis might deliver (based on the his
work with Eisley...for example, nobody in the band liked the
mixes...especially the vocal captures/tones which lack warmth and
quality and the kick drum tones are seriously poor...and he didn't
understant the importance of "guitarness" at all)... but Aaron, on the
other hand is very high end and could deliver a great record. Perhaps it
would be too perfect. (?)

*Mike Mogis is brilliant and is one of the nicest, most humble guys
around, and if given the chance...say, more that 9 days, could probably
also deliver a record that would make us all smile. He didn't have much
time, granted.

We've been talking much about this issue of perfection and commercial
ization and how it effects a generation who abhores fakeness but
embraces reality. Records that are perfect (I'll purposely leave out
examples) stay in our play playlist solid for a while, but have a short life
exectancy...

Name your favorite rock records. I'll wager that your top 10 have a
quality that you can't put your finger on that makes it the best. I'll
guarantee you it's not because it was radio-ready. Think of Pink Floyd,
Radiohead just for starters. ...not very commercial. On the other hand,
very real. very honest, very warm. very awesome.

I believe that Production excellence highlights the unexpected
moments as much as the expected, embraces the fragility as a way of
protecting what is genuine about a band, stays away from coined,
canned, cliche' (proven) patterns accepted and embraced by the radio
gods (who profit from cloning crap rather than encouraging original art).

This is a topic I have conversations with people about every day. I could
wear it out. Sorry.

All that to say, Rob has the right mind to understand these subtlties
and is, in fact truely wired (in his brain) to deliver a record that has
warmth, creativity, beauty, that rocks, that radio will have to face (the
music), and that will last.

Remember, the biggest burden is on Eisley. It's all about the songs, guys.
And Eisley is all about songs. This record must deliver the songs... I
believe it will.

Boyd

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homesick_alien
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I'm getting all excited already and it's still half a year away Razz

silly old me

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ptah
Sea Post King


It all sounds very exciting, Boyd.
Can't wait for the final product. I look forward to your great updates during the recording process...

P.

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teamboo
Sea Post King


Mike Mogis
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theenvycorps
Vintage Newbie


I'm sorry, but the Mike Mogis drum sound has never been good, especially the kick drum.
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Shain
Vintage Newbie


Aaron for sure.

I am relieved to hear that you will be workign with him in teh future. good move.

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boyd
Eisleyoid


Quote:
I believe that Production excellence highlights the unexpected
moments as much as the expected, embraces the fragility as a way of
protecting what is genuine about a band, stays away from coined,
canned, cliche' (proven) patterns accepted and embraced by the radio
gods (who profit from cloning crap rather than encouraging original art).

I really liked it when I said that. I felt all like smart and stuff. But now I
feels all stupid and stuff, which is why I'm really going to get up right
now and make coffee.

Let's start an exploration of Rob's work; listen to his productions and
get to the bottom of all this. Becuz one thing is for sure; Rob is producing
Eisley's first full length. It could determine whether there's even going to
be a second record. Just kidding. WB has to make a second.

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"The industrialists never saw the fruit of their own labor - Post Moderism,
which I now proclaim as dead. Their forefathers digital revolutionists,
have accelerated the final resolve by punctuating an end to our chaotic
journey with a new manifesto and a new era: The Age of Meaning."

(manifesto's sold separate)
Welcome: Illuminists
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drewmgibson
Golly, Poster


i dislike indie recordings. the drums always sound like they aren't with everything else. and almost every indie album ive heard sounds like it wasnt mastered well, or mastered at all. goodbye.
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boyd
Eisleyoid


yes. I agree....sorta. achieving indiness (the essence) without the
intentional poor production is the goal. Weston and I are sticklers...
(very exacting) on drum sounds. No worries. No bad outcome. Promise.

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"The industrialists never saw the fruit of their own labor - Post Moderism,
which I now proclaim as dead. Their forefathers digital revolutionists,
have accelerated the final resolve by punctuating an end to our chaotic
journey with a new manifesto and a new era: The Age of Meaning."

(manifesto's sold separate)
Welcome: Illuminists
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